Two modules not every school
needs.
They are paid for separately: whoever doesn’t use them doesn’t pay for them. And whoever does use them usually makes money on them.
The day’s photos, sold properly.
Today the photographer comes by, shoots and sells — and nobody asked anybody anything. It works until the first complaint arrives, and at that point the first to answer is the school. Mammut Photo changes the order of things: permission first, then the shot, then the sale.
- Three separate permissions: being photographed · receiving and buying · face recognition
- When the photos come in, the system says who has permission and who doesn’t
- Without commercial consent the photo doesn’t go on sale: the block is on the server
- The family buys from the portal: watermarked previews, full file after payment
- You set the percentage once: school and photographer each see their own share
- Face recognition turns on after your impact assessment
The school’s channel, on the TVs in the office.
The A4 sheet taped to the door is still the most used tool in ski schools. This replaces it, and updates itself.
- Eleven tile types: four you write yourself (title, text, image, QR code) and seven fill themselves from the software — today’s courses, instructors, prices, races, photos, weather, notices
- No generic display can show the free seats in this school’s 9 o’clock course. This one can
- The TV shows a code, you type it into Mammut on a real keyboard. No technician, and nothing to type with a remote control
- Several screens, different content: the office, the rental shop, the beginners’ area
If you’re a photographer, this part is for you.
You get your own login and your own space. You keep shooting the way you shoot today; what changes is that the permission is collected, dated and revocable — which means provable. That is the difference between a profession and a risk nobody has challenged yet.